4,052 Royalty-Free Audio Tracks for "I Dont Know How To Describe This"

Kimiko Ishizaka - Bach - Well-Tempered Clavier, Book 1 - 35 Prelude No. 18 in G-sharp minor, BWV 863

Kimiko Ishizaka - Bach- Well-Tempered Clavier, Book 1 - 07 Prelude No. 4 in C-sharp minor, BWV 849

Kimiko Ishizaka - Bach - Well-Tempered Clavier, Book 1 - 27 Prelude No. 14 in F-sharp minor, BWV 859

Kimiko Ishizaka - Bach - Well-Tempered Clavier, Book 1 - 36 Fugue No. 18 in G-sharp minor, BWV 863

Kimiko Ishizaka - Bach- Well-Tempered Clavier, Book 1 - 28 Fugue No. 14 in F-sharp minor, BWV 859

Pedal tone in Bach's Prelude no. 6 in D Minor, BWV 851, from The Well Tempered Clavier, Book I, m.1-2. Created by Hyacinth (talk) 04:48, 4 July 2011 (UTC) using Sibelius 5.

Kimiko Ishizaka - Bach - Well-Tempered Clavier, Book 1 - 34 Fugue No. 17 in A-flat major, BWV 862

Kimiko Ishizaka - Bach- Well-Tempered Clavier, Book 1 - 34 Fugue No. 17 in A-flat major, BWV 862

Kimiko Ishizaka - Bach - Well-Tempered Clavier, Book 1 - 14 Fugue No. 7 in E-flat major, BWV 852

Kimiko Ishizaka - Bach- Well-Tempered Clavier, Book 1 - 44 Fugue No. 22 in B-flat minor, BWV 867

Kimiko Ishizaka - Bach- Well-Tempered Clavier, Book 1 - 33 Prelude No. 17 in A-flat major, BWV 862

Kimiko Ishizaka - Bach - Well-Tempered Clavier, Book 1 - 33 Prelude No. 17 in A-flat major, BWV 862

Kimiko Ishizaka - Bach - Well-Tempered Clavier, Book 1 - 41 Prelude No. 21 in B-flat major, BWV 866

Kimiko Ishizaka - Bach - Well-Tempered Clavier, Book 1 - 16 Fugue No. 8 in D-sharp minor, BWV 853

Kimiko Ishizaka - Bach- Well-Tempered Clavier, Book 1 - 06 Fugue No. 3 in C-sharp major, BWV 848

Kimiko Ishizaka - Bach- Well-Tempered Clavier, Book 1 - 36 Fugue No. 18 in G-sharp minor, BWV 863

Kimiko Ishizaka - Bach- Well-Tempered Clavier, Book 1 - 27 Prelude No. 14 in F-sharp minor, BWV 859

Kimiko Ishizaka - Bach - Well-Tempered Clavier, Book 1 - 13 Prelude No. 7 in E-flat major, BWV 852

Kimiko Ishizaka - Bach- Well-Tempered Clavier, Book 1 - 08 Fugue No. 4 in C-sharp minor, BWV 849

El Gran Padre de Familias (extracto). Compositor nacido en Villahermosa del Río Català: Josep Prades i Gallent (Vilafermosa, Alt Millars, 1689 - València, 1757) fou un compositor valencià. Josep Pradas Gallén

Four on the floor on the bass drum. Created by Hyacinth (talk) 00:21, 6 February 2012 (UTC) using Sibelius 5.

Reggae steppers drum pattern. One drop with bass steady on quarter notes.

Four on the floor on the high hat.

Català: Espais de Llum Musical 2 violins, 2 trompes i baix continu Arxiu Musical de la Cateral de València Obra de Francesc Morera i Cots (Sant Mateu, 4 d'abril de 1731 - València, 17 d'octubre de 1793), compositor valencià del barroc. Va ocupar la plaça de mestre de capella de la Catedral de València.

Audio pronunciation of the term "berceuse" in Michigander English.

Joy to the WorldJoy to the World, englisches WeihnachtsliedÜbertragung (R.F.): Freude der Welt! Der Herr ist da! Du Erdkreis, lass ihn ein! Und jeder Mund sing Gloria, die Schöpfung werde sein, die Schöpfung werde sein, die Schöpfung, die Schöpfung werde sein! Freude der Welt! Das Reich beginnt, das Reich, das Jesus baut. Was atmet, sing von diesem Kind. Berg, Tal, Land, Meer, singt laut, Berg, Tal, Land, Meer, singt laut, Berg, Tal, Land und Meer, singt laut, singt laut! Sünde und Tod, entweicht und flieht! Die Liebe Gottes siegt, da alle Welt den Heiland sieht, der in der Krippe liegt, der in der Krippe liegt, den Heiland, der in der Krippe liegt. Er ist der Herr, er herrscht allein, in Weisheit und gerecht. Ihr Mächtgen, lernt wie er zu sein! Zum Bruder wird der Knecht, zum Bruder wird der Knecht, zum Bruder, zum Bruder wird der Knecht.

O Jungfrau ohne Makel (Gotteslob Diözesananhänge Aachen 956, Köln 948)

While you knowpoet: maqsood hasnivice: maqsood hasnifree abuzar electronic book housesept. 2017.

Note: This is only the Prelude in E-flat minor. This recording does not include the corresponding fugue, which is (oddly) in D-sharp minor. Public domain music from musopen.com Q: What restrictions are there for the music downloaded from this site, can I edit it? Share it? Use it for a film project? A: The music on this site is given a public domain license, therefore, there are technically no restrictions on what you do with it. We do ask, out of courtesy, two things. One, that you do not directly sell our recordings for profit, as a great amount of work has been donated to this project, and for the benefit of the public, not profit. Two, we ask that any commerical or derived works attribute Musopen somewhere, to give credit to this project. And for all the film students emailing, yes you may use it in your film, you can then sell the film, containing our music. It's in the public domain afterall. -- http://www.musopen.com/faq.html Musopen has requested in-line attribution in any article this file is used in.  

Kimiko Ishizaka - Bach - Well-Tempered Clavier, Book 1 - 15 Prelude No. 8 in E-flat minor, BWV 853

Kimiko Ishizaka - Bach- Well-Tempered Clavier, Book 1 - 15 Prelude No. 8 in E-flat minor, BWV 853

Eternal Father, Strong to SaveEternal Father, Strong to Save, englisches Kirchenlied, Gebet für die Seefahrer.Übertragung (R.F.): Gott Vater, der die Welt erschuf aus Chaosflut mit Werde-Ruf, der Strömen wies bestimmte Bahn und Grenzen gab dem Ozean: beschütz und rette alle, Herr, auf schwerer Fahrt durchs weite Meer. O Christus, der den Sturm gestillt, gezähmt die Wellen, tosend wild, der sicher durch die Wogen schritt zum Jüngerboot, das Seenot litt: beschütz und rette alle, Herr, auf schwerer Fahrt durchs weite Meer. Du Schöpfergeist, der Ordnung schenkt und Kräftestreit zum Frieden lenkt, Gestirn, das in der Nacht aufsteigt, Leuchtfeuer, das den Hafen zeigt: beschütz und rette alle, Herr, auf schwerer Fahrt durchs weite Meer. O Gott, dreifaltig, einzig, wahr, sei Schild und Helfer in Gefahr! Kein Fels, kein Sturm, kein Brand, kein Riff bedrohe Mannschaft, Kurs und Schiff! Dann steigt zu dir, allgüt'ger Herr, ein Danklied auf von Land und Meer.

Rolling Down to Old Maui

Hail to the Chief, preceded by four ruffles and flourishes as played for the President of the United States, performed by the U.S. Army Band

Example of a tonal answer in J.S. Bach's Fugue no. 16 in G minor, BWV 861, from the Well-Tempered Clavier, Book 1 Comienzo de ejemplo de una respuesta tonal en una exposición fugada. este fichero Midi corresponde a la exposición de la Fuga número 16 en Sol menor (BWV 861) extraído del libro 1 de la obra El clave bien temperado de Juan Sebastián Bach

Female voice saying "and this is how it ends" with 6 variations of emotion.

Panama national anthem, instrumental version, adopted as national anthem in 1906

Male voice whispering i know.

You know it's like high pitched - conversation.

It's a Long Way to Tipperary

O Maria, gnadenvolle

Four ruffles and flourishes (what would be played in the presence of the President of the United States) followed by the short version of "Hail to the Chief"

Hail to the Chief

Joy to the World performed by the Concert Band of the United States Air Force Band. Track 9 from Light One Candle (2004).

Українська: Й.С. Бах. Фуга dis-moll з І тому ДТК. Виконує Андрій Бондаренко. Запис здійснено апаратурою ВМУА на кабінетному роялі з хоровим строєм. Johann Sebastian Bach: Fugue in D-sharp minor, BWV 853, from Well-Tempered Clavier, vol. I. Performed by Andriy Bondarenko. The piano has a choir-like tuning, sorry :)

Characteristic disco drum pattern: four to the flour with sixteenth note ride pattern.

more pizzacato.

This weird sound (see tags,) was made by holding a cheezy microphone to my nose and humming. I then added reverb to it. And if you think it's easy to name these things, it's not! (see tags. ) made with audacity.

It's a Long Way to Tipperary is a British music hall and marching song written by Jack Judge and Harry Williams (Henry James Williams), a song that, allegedly, was written for a 5 shilling bet in Stalybridge, on the 30 January 1912 and performed the next night at the local music hall. Jack's parents were Irish, and his grandparents came from Tipperary.[